Publikationen, an denen er mitarbeitet María Teresa Doménech Carbó (20)

2020

  1. Funerary colors in Pre-classical Maya culture: the red pigment in the 19th tomb of Rio Azul (Peten, Guatemala)

    Heritage Science, Vol. 8, Núm. 1

2019

  1. Polysaccharide remains in Maya mural paintings: is it an evidence of the use of plant gums as binding medium of pigments and additive in the mortar?

    Science and Technology of Archaeological Research, Vol. 5, Núm. 2, pp. 200-220

2014

  1. Discovery of indigoid-containing clay pellets from La Blanca: Significance with regard to the preparation and use of Maya Blue

    Journal of Archaeological Science, Vol. 41, pp. 147-155

  2. Identification of indigoid compounds present in archaeological Maya blue by pyrolysis-silylation-gas chromatography-mass spectrometry

    Journal of Analytical and Applied Pyrolysis, Vol. 105, pp. 355-362

2012

  1. Characterization of prehispanic cosmetics found in a burial of the ancient city of Teotihuacan (Mexico)

    Journal of Archaeological Science, Vol. 39, Núm. 4, pp. 1043-1062

  2. Insights into the Maya Blue technology: Greenish pellets from the ancient City of la Blanca

    Angewandte Chemie - International Edition, Vol. 51, Núm. 3, pp. 700-703

2011

  1. Analytical study of the wall paintings in the Borgherini chapel in the Sant Pietro in Montorio church (Rome, Italy) by Sebastiano del Piombo

    Arché, Núm. 6, pp. 391-398

  2. From maya blue to "maya Yellow": A connection between ancient nanostructured materials from the voltammetry of microparticles

    Angewandte Chemie - International Edition, Vol. 50, Núm. 25, pp. 5741-5744

  3. The maya blue pigment

    Developments in Clay Science (Elsevier B.V.), pp. 453-481

2009

  1. Comparative study of different indigo-clay Maya Blue-like systems using the voltammetry of microparticles approach

    Journal of Solid State Electrochemistry, Vol. 13, Núm. 6, pp. 869-878

  2. Correlation between spectral, SEM/EDX and electrochemical properties of Maya Blue: A chemometric study

    Archaeometry, Vol. 51, Núm. 6, pp. 1015-1034

  3. Maya Blue as a nanostructured polyfunctional hybrid organic-inorganic material: The need to change paradigms

    New Journal of Chemistry, Vol. 33, Núm. 12, pp. 2371-2379

2008

  1. En torno a la propuesta de conservación preventiva de un boceto al óleo de Anton van Dyck perteneciente a una colección privada valenciana

    Arché, Núm. 3, pp. 167-172

  2. Resins and drying oils of precolumbian painting: a study from historical writings. Equivalences to those of european painting

    Arché, Núm. 3, pp. 185-190

2007

  1. Chemometric study of Maya Blue from the voltammetry of microparticles approach

    Analytical Chemistry, Vol. 79, Núm. 7, pp. 2812-2821

  2. Electrochemical monitoring of indigo preparation using Maya's ancient procedures

    Journal of Solid State Electrochemistry, Vol. 11, Núm. 9, pp. 1335-1346

  3. Indigo/dehydroindigo/palygorskite complex in maya blue: An electrochemical approach

    Journal of Physical Chemistry C, Vol. 111, Núm. 12, pp. 4585-4595

  4. Kermes and cochineal; woad and indigo. Repercussions of the discovery of the new world in the workshops of european painters and dyers in the modern age

    Arché, Núm. 2, pp. 131-136

  5. The colour palette in the architecture of la blanca (Petén, Guatemala). Comparison between that of the Mayan owlands and that used in other civilizations of the ancient world

    Arché, Núm. 2, pp. 125-130

2006

  1. Dehydroindigo: A new piece into the Maya Blue puzzle from the voltammetry of microparticles approach

    Journal of Physical Chemistry B, Vol. 110, Núm. 12, pp. 6027-6039