La representación y la miradaretrato pictórico y falsa identidad en el Cine Negro norteamericano de los años 40
ISSN: 1132-9823
Argitalpen urtea: 2018
Zenbakien izenburua: Arte especular. Nudos entre cine y pintura
Alea: 45
Zenbakia: 2
Orrialdeak: 39-58
Mota: Artikulua
Beste argitalpen batzuk: Millars: Espai i historia
Garapen Iraunkorreko Helburuak
Laburpena
This article analyses two American films pertaining to the Classical Film noir genre. In those movies the pictorial portrait of a woman acts as a metaphor about distorted heterosexual male gaze that victimizes both men and women. My intention is to prove that far from our stereotypical image of normative cinema, a current perspective allows to state that Classical Cinema also produced films that denounced patriarchal gaze vices on women as an idealized object of desire.