La representación y la miradaretrato pictórico y falsa identidad en el Cine Negro norteamericano de los años 40
ISSN: 1132-9823
Any de publicació: 2018
Títol de l'exemplar: Arte especular. Nudos entre cine y pintura
Volum: 45
Número: 2
Pàgines: 39-58
Tipus: Article
Altres publicacions en: Millars: Espai i historia
Objectius de Desenvolupament Sostenible
Resum
This article analyses two American films pertaining to the Classical Film noir genre. In those movies the pictorial portrait of a woman acts as a metaphor about distorted heterosexual male gaze that victimizes both men and women. My intention is to prove that far from our stereotypical image of normative cinema, a current perspective allows to state that Classical Cinema also produced films that denounced patriarchal gaze vices on women as an idealized object of desire.