Märchenfantasie in der Berliner gegenwartChristian petzolds filmadaption undine (2020)

  1. Isabel Gutiérrez Koester
Journal:
Anuario de estudios filológicos

ISSN: 0210-8178

Year of publication: 2023

Volume: 46

Pages: 323-339

Type: Article

DOI: 10.17398/2660-7301.46.323 DIALNET GOOGLE SCHOLAR lock_openDehesa editor

More publications in: Anuario de estudios filológicos

Abstract

Christian Petzold’s drama Undine, a Franco-German co-production released in 2020, transfers the romantic myth of the scorned nymph into present Berlin. This is the first part of a trilogy planned by Petzold on figures of German Romanticism, which intends to bring the so-called elemental spirits closer to our reality. The result is a poetic film fairy tale, in which the main characters move between two worlds: not only underwater and on land, but also between reality and fantasy, between the present and the past. Petzold shows that the myth of Undine is ahistorical and doomed to be repeated endlessly. His adaptation, however, deviates decisively from the literary models and thus not only reveals a determined reshaping of the myth, but also blurs through its peculiar aesthetics, grounded in the foundations of the Berlin School, the fine line between reality and fantasy

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Data source: Dialnet