Patrimonio in memoriamProceso de resignificación simbólica de la pintura del Ecce Homo de Borja

  1. Teresa Vicente Rabanaque 1
  1. 1 Universidad Politécnica de Valencia
    info

    Universidad Politécnica de Valencia

    Valencia, España

    ROR https://ror.org/01460j859

Revista:
Revista valenciana d'etnologia

ISSN: 1885-1533

Any de publicació: 2017

Número: 9

Pàgines: 85-98

Tipus: Article

DIALNET GOOGLE SCHOLAR lock_openAccés obert editor

Altres publicacions en: Revista valenciana d'etnologia

Resum

The conflict caused by intervention in the painting of the Ecce Homo de Borja is a representative example of different logics, interests, agents and speeches that are involved in the conceptualization and management of cultural heritage. This painting, in its process of transformation, has taken on new uses and values, which have reached a global resonance due to its impact on the mass media.

Fuente de los datos: Dialnet