Publikationen (38) Publikationen von KATARZYNA BEATA PASZKIEWICZ -

2024

  1. “I’m in Love With My Car”: Revisiting the Aesthetics of Petroleum in Crash (1996), Death Proof (2007), and Titane (2021)

    Quarterly Review of Film and Video, Vol. 41, Núm. 7, pp. 932-972

2023

  1. CRITICAL RECEPTION “ALL THAT STYLE OVERWHELMS THE SUBSTANCE”: THE CRITICAL RECEPTION OF SOFIA COPPOLA’S WORK

    The Bloomsbury Handbook to Sofia Coppola (Bloomsbury Publishing Plc.), pp. 385-402

  2. Facing the End of the World: Take Shelter as Horror Ecocinema

    Journal of Film and Video, Vol. 75, Núm. 3, pp. 22-37

  3. Natural is not in it: Irony, Environment and Genre in Spoor (2017)

    Studies in European Cinema

  4. Stray aesthetic in the cinema of Andrea Arnold

    Journal of Aesthetics and Culture, Vol. 15, Núm. 1

  5. The aesthetics of impasse and the affective rhythms of survival: Andrea Arnold’s Fish Tank as cinema of precarity

    New Review of Film and Television Studies, Vol. 21, Núm. 3, pp. 375-401

2022

  1. Crises and criticism – (Round Table)

    45th AEDEAN Conference: Facultad de Filosofía y Letras Universidad de Extremadura, november 16,18 2022 Cáceres

  2. De víctimas a asesinas: el noir doméstico en la narrativa criminal escrita por mujeres

    Bulletin of Hispanic studies ( Liverpool. 2002 ), Vol. 99, Núm. 1, pp. 19-44

  3. Introducción Violencia, vulnerabilidad y género en la narrativa criminal escrita por mujeres en España en el siglo XXI

    Bulletin of Hispanic studies ( Liverpool. 2002 ), Vol. 99, Núm. 1, pp. 1-6

  4. On Affect and Ecopoetics

    Cultura, lenguaje y representación = Culture, language and representation: revista de estudios culturales de la Universitat Jaume I = cultural studies journal of Universitat Jaume I, Núm. 29, pp. 73-89

  5. «Espacio, cine y estéticas del afecto». Reseña de Geografías afectivas. Desplazamientos, prácticas espaciales y formas de estar juntos en el cine de Argentina, Chile y Brasil (2002–2017) de Irene Depetris Chauvin

    452ºF: Revista de Teoría de la Literatura y Literatura Comparada, Núm. 27, pp. 437-441

  6. ‘Tipped over, but still growing’: Cruel Optimism and Queer Temporalities in The Florida Project

    Quarterly Review of Film and Video, Vol. 39, Núm. 1, pp. 139-169

2021

  1. Cinema and environment: The arts of noticing in the anthropocene

    Res Rhetorica, Vol. 8, Núm. 2, pp. 2-21

  2. Framing the non-human: American honey as eco-road movie

    Journal of British Cinema and Television, Vol. 18, Núm. 3, pp. 303-328

2020

  1. 'People don't understand [the] world': The limits of transnational authorship in the cinema of Isabel Coixet

    WOMEN IN IBERIAN FILMIC CULTURE (INTELLECT LTD), pp. 89-105

  2. Final Girls, Feminism and Popular Culture

    Springer International Publishing, pp. 1-281

  3. Introduction: Reimagining the Final Girl in the Twenty-First Century

    Final Girls, Feminism and Popular Culture (Springer International Publishing), pp. 1-37

  4. Touch as proximate distance: post-phenomenological ethics in the cinema of isabel coixet

    Film-Philosophy, Vol. 24, Núm. 1, pp. 22-45

  5. ‘Just Keep Looking Forward or We’ll Be Stuck Here Forever’: The Final Girls, Spectatorial Address and Transformations of the Slasher Form

    Final Girls, Feminism and Popular Culture (Springer International Publishing), pp. 247-270

2019

  1. Autorías de molde: género y cine de Hollywood

    ¿Qué es una autora?: encrucijadas entre género y autoría (Icaria), pp. 291-311