Hamlet goes legitarchaeology, archive and transformative adaptation in "Sons of anarchy" (FX 2008-2014).

  1. Huertas-Martín , Víctor 1
  1. 1 Universitat de València
    info

    Universitat de València

    Valencia, España

    ROR https://ror.org/043nxc105

Revista:
IJES: international journal of English studies

ISSN: 1578-7044

Año de publicación: 2022

Volumen: 22

Número: 1

Páginas: 41-61

Tipo: Artículo

DOI: 10.6018/IJES.490781 DIALNET GOOGLE SCHOLAR lock_openDIGITUM editor

Otras publicaciones en: IJES: international journal of English studies

Resumen

Using Shakespeare’s criticism and archival theory as lenses, this article enlarges understandings of the interconnections between a complex television series and Shakespeare. Forming a Shakespearean archive, Sons of Anarchy (SOA), based on Hamlet and other plays by Shakespeare, is packed with Shakespearean allusions, rather than citations, whose impact in the overall work is yet to be explored. Shakespearean formations, identifiable in the series’ para-texts, episodes, and transmedia materials, add political weight to SOA. This intertextuality invites us to regard Shakespeare’s influence in complex television as transformative.

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