La ‘Virgen de la Leche’, un estereotipo recurrente en la obra más íntima de Joan de Joanes y sus seguidores

  1. Albert Ferrer Orts 1
  2. Daniel Benito Goerlich 1
  1. 1 Universitat de València
    info

    Universitat de València

    Valencia, España

    ROR https://ror.org/043nxc105

Journal:
Historias del Orbis Terrarum

ISSN: 0718-7246

Year of publication: 2020

Issue: 25

Pages: 132-159

Type: Article

DIALNET GOOGLE SCHOLAR lock_openDialnet editor

More publications in: Historias del Orbis Terrarum

Abstract

We get closer to the iconography of the Virgen de la Leche in XVIth century Valencian painting, especially in the Macips workshop and, in particular, by Joan de Joanes, one of the most representatives painters of the Spanish Renaissance. We also analyze their fortune in previous art and how these greatly enrich their representation and come to standardize it through multiple variants for private use. Finally, and in this salvific context, we address one of Joanes's masterpieces, the "Virgen del venerable Agnesio", recently analyzed as a cover-up painting in relation to the evangelization and conversion of the Valencian Mudejars.

Data source: Dialnet