Observando a través de los estratos: fotografía infrarroja transmitida (IRT) aplicada al estudio técnico y documental de pinturas sobre lienzo

  1. Miquel Àngell Herrero-Cortell 1
  2. Paola Artoni 2
  3. Marta Raïch
  4. Joan Aliaga 1
  5. Isidro Puig 1
  1. 1 Universidad Politécnica de Valencia
    info

    Universidad Politécnica de Valencia

    Valencia, España

    ROR https://ror.org/01460j859

  2. 2 Laboratorio di Analisi non invasiva sulle Opere d’arte Antica, Moderna e Contemporanea (LANIAC). Università degli Studi di Verona
  3. 3 Centre d’Art d’Època Moderna (CAEM). Universitat de Lleida
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Revue:
Ge-conservación

ISSN: 1989-8568

Année de publication: 2021

Número: 19

Pages: 62-73

Type: Article

DOI: 10.37558/GEC.V19I1.840 DIALNET GOOGLE SCHOLAR lock_openDialnet editor

D'autres publications dans: Ge-conservación

Résumé

El presente artículo versa sobre el uso de la fotografía infrarroja transmitida (IRT), una técnica todavía muy desconocida, pese a que paradójicamente aporta una información fundamental en el estudio y documentación de las pinturas sobre lienzo. A diferencia de la fotografía infrarroja (IR), esta técnica opera por transmisión y no por reflexión, por lo ofrece imágenes transversales de todos los estratos de la obra. Fundamentalmente arroja evidencias sobre el diseño y la composición, visibilizando sus cambios; el método de ejecución empleado; pesquisas sobre los materiales; y evidencias del estado de conservación, pudiendo considerarse una de las técnicas más ricas de imagen multi-banda; procedimiento que además puede realizarse con escasa inversión. El objetivo de este artículo es darla a conocer para fomentar su uso entre conservadores e investigadores, así como mostrar ejemplos de sus aportaciones, ofreciendo claves de lectura para su correcta interpretación.

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La source de données: Dialnet